Yeh Pulu Temple

The relief is carved on rock, located near Goa Gajah, between rice field and ravine. The site was rediscovered in 1925. In 1949 a simple protection was laid out to avoid water flowing on the surface of the relief. It looks like panel with the size of 25 x 2 meters.

The figures showing mixed between the fairy tales of wayang ( puppet show ) and like a common people. If we see the area of Pejeng, it is rich with ancient stone carvings, and also wayang figure is found near the village of Pejeng preserved at a temple called ” Arjana Metapa ” From the site itself it is hard to give estimated date of the construction. From iconographic study we can only use as typological date based on the ancient relief of Candi Penataran in east Java..
It is commonly agreed that Penataran temple was constructed during the end of Majapahit kingdom, around 1400 AD. If it is associated with the chronicle about Wayang puppet in Bali, it was around 16th century, when Bali kingdom controlled Blambangan kingdom ( now Banyuwangi regency ). According to the chronicle during the attack of Blambangan, boxes full of wayng puppet were confiscated and were brought to the palace in Klungkung. In Klungkung near the capital city of the kingdom was the first wayang style introduced by a painter inspired by the wayang figure brought from Java. The place is now known as Kamasan village. So it was probable that this rock carving was made around this period.

An important aspect from this art is that a new style had emerged. It is well understood that the art of Bali during ancient time was very idealistic and superhuman in nature, but this Yeh Pulu releif showing realistic and vigorous nature. It is hard to understand why the artist had deviated from the rules at the time. They did not only carved wayang figures but also human figures.

The whole scene of the relief is divided into 5 episodes:

In this episode one figure is interesting that a man is carrying something with pole on his shoulder, look like a guci ( English ” Urn “). In Bali guci is a place for palm wine ( Bali : tuak ).

One of the important figure is a dwarf like person with ascetic’s turban which is the prototype of present day Bali priest’s crown.
Showing a bear hunters in attacking the bear and a man sitting on horse,
Two men carrying bear with pole,
A woman holding the tail of a horse.
So far it there is no traditional story that could be used to identify what is actually the depiction of these all. An extensive local folk tales have been recorded, but no one seems explaining the episodes.

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